What representations of disability are offered in "The Elephant Man" (1980)?

The Elephant Man is target in 1980, in the Victorian terminal figure where circus shows containing circus freaks were common. The text begins with a montage of deplorable and provocative compasss, coupled with pound sign and eerie music creating an knock over atmosphere connoting the horror and thriller genres. The soundtrack is principally non-diagetic, with exceptions of Merricks diagetic breathing to show his nervousness, all the same creating a sinister control of the film in the minds of the listening. Adding to this soma is the shock and horror of the earreach of the circus show, causing the elephant mans divide to be closed. The police front man creates a dark image, indicating danger. This could suppose the audiences views of physically and mentally change people at the savvy of conviction the film was made, as most people at the age would have viewed them as dangerous and as outcasts. An puzzle principle is created end-to-end the first base half of the film, as the audience do not regard the Elephant Man ( ass Merrick) directly. The film be shot in dense and bloodless reflects the Victorian age the film is set in, and it reflects the black and white views of disable people of the era. The audience atomic number 18 positioned to empathize with deception Merrick, and to pay back note of how he is hardened by those in his life.

out front Treeves takes Merrick on as his project, Merrick is unceasingly shown in the dark, and cover up, whereas Treeves is shown in light and is a very successful doctor. David kill has utilise Barthes theory of Binary face-off throughout the film, with the black and white film, the dark and light of John Merrick and Dr Treeves and the views of good and monstrous in the film. The typical freak stereotype of disable people is shown clearly throughout the... If you want to get a full essay, enounce it on our website: Orderessay

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